Proulx, Richard (Richard T.) (1937-04-03-2010-02-18)
Dates
- Existence: 1937-04-03 - 2010-02-18
Gender
- Males
Occupations
Places
- Saint Paul (Minn.) (Place of Birth)
- Chicago (Ill.) (Place of Death)
- United States (Associated Country)
- Chicago (Ill.) (Other)
Found in 1356 Collections and/or Records:
Gloria from carillon mass, 1976
For Cantor, Congregation, SATB Voices and Organ with Flute ad lib. Based on Psalm Tone 8G. 8 scores from 3 different printings.
Gloria, gloria : a carol fantasia, 1996
Gloria, gloria : a carol fantasia / David Hurd ; Richard Proulx. It is unclear what connection Proulx has to this work. The work is in Proulx's hand, but it bears no marks indicating his authorship. It is possible that Proulx arranged some of Hurd's work.
Gloria I : old Scottish chant/rite II text, 1979
Gloria I : old Scottish chant/rite II text OVERSIZE A keyboard accompaniment Proulx wrote for a Gloria. Also in this file is a vocal score with the same melody; no composer noted but presumed Proulx. It is unclear if this has ever been published.
Gloria in Excelsis, 1998
Gloria in excelsis, 1985
Gloria in Excelsis, 1981
For Two Mixed Choirs Adapted to the ICET Translation by Richard Proulx Intonation in A followed by Gloria in Excelsis Markings in pencil throughout the score
Gloria in excelsis, 1981
For Two Mixed Choirs. Adapted to the ICET Translation by Richard Proulx. Arranged by Richard Proulx. Parts are for 2 brass choirs. Each brass choir has 2 trumpets and 2 trombones. The score includes an "Intonation in A" for organ. 2 scores have markings in pencil. 5 scores from different printings.
Gloria in Excelsis Deo, 1984
"Glory to God in the highest, and peace to his people on earth..." For SAATB Voices Unaccompanied From a Communion Service, ca. 1625 Markings in pencil throughout the score
Gloria in excelsis Deo = Glory to God in the highest, 1984
For SAATB Voices Unaccompanied. From a Communion Service, ca. 1625. Transcibed and Edited by Richard Proulx. 4 scores from different printings. 1 score has markings in pencil.
Gloria in medieval style, 1965
Proulx took Robert Revicki's piece entitled, "Alleluia" from "Songs of Praise," [(Boosey and Hawkes - 5597) written for unison chorus or equal voices, with tenor or soprano solo and tambourine accompaniment], changed the words to the text of the Gloria, added a second vocal part in the last nine measures, and added handbell and triangle accompaniment. It is unclear if this was ever published.