Proulx, Richard (Richard T.) (1937-04-03-2010-02-18)
Dates
- Existence: 1937-04-03 - 2010-02-18
Gender
- Males
Occupations
Places
- Saint Paul (Minn.) (Place of Birth)
- Chicago (Ill.) (Place of Death)
- United States (Associated Country)
- Chicago (Ill.) (Other)
Found in 1356 Collections and/or Records:
Child's book of beasts, 2001
Post-it on case says: "Complete recording. RP-Child's book of beasts (premiere-San Diego) separate disc"
Child's book of beasts, 2006
An Entertainment for Organ and Narrator. Organ Demonstrator No. 36 for all Ages. Music by Richard Proulx. Verses by Hillaire Belloc. Drawings by Kitty Fischer.
Choirmaster at the pearly gates : a madrigal for less-than-serious occasions, 1996
A Madrigal for Unaccompanied Mixed Voices (SATB). Anonymous, 19th century American. A Madrigal for Less-than-serious Occasions.
Choral expansions, 1987
Choral Expansions on the Danish Amen and Dismissal Chant. For Choir, Assembly, and Accompaniment. Edited by Richard Proulx. Thomas Luis de Victoria (St. John Passion). Giuseppe Tartini (Stabat Mater). William Byrd (Mass for Four Voices). William Smith (Preces and Responses). Anonymous 17th Century French.
Choral responses, 1968
Choristers' blessing, 2000
[Disc does not play!] Choristers' blessing.
Christ be with me
Christ be with me Marco Caro, ca. 2500 from lute tabulature, publ. 1509.
This piece was in a file entitled, "RP scores, work on." This arrangement for SAB choir is handwritten by Proulx. It is centered around G (with f's being natural in some cases and sharp in others). It is unclear if this has ever been published.
Christ has called us to new visions, 1994
Christ Has Called Us to New Visions. Text: Jane Parker Huber ©1982. Tune: IN BABILONE. Dutch Melody, c. 1710, from "Oude en Nieuwe Hollantse Boerenlities en Contradanseu.". Setting by Richard Proulx, 1994. 2 edgebound copies of an original manuscript score.
Christ ist erstanden, 1978
Christ ist erstanden / Richard Proulx. Two related score leaflets: one contains melody line in plainsong form with piano texture accompaniment. The second sheet is four-part harmonization of the piece for SATB voice. The second sheet is labeled similarly