Sacred vocal music

Intercessions for Alternating Groups of Assembly and Unison Choir with Organ Accompaniment

An Amsterdam Tableprayer for Cantor, Assembly and SATB Choir with Keyboard (Piano or Organ) and Guitar

Song of Waiting and Expectation for Unison Choir and Assembly with Keyboard (Organ or Piano) Accompaniment

You Are A Child Of Earth for Unison Choir and Assembly with Organ Accompaniment

Proulx took Robert Revicki's piece entitled, "Alleluia" from "Songs of Praise," [(Boosey and Hawkes - 5597) written for unison chorus or equal voices, with tenor or soprano solo and tambourine accompaniment], changed the words to the text of the Gloria, added a second vocal part in the last nine measures, and added handbell and triangle accompaniment. It is unclear if this was ever published.

For Cantor, Schola & Assembly with Keyboard (Organ) Accompaniment

Good Friday : unveiling of the cross / Richard Proulx. This piece emulates a blues style, playing off Proulx's interest in jazz and the music of Chicago. The piece begins with three figures (marked 7., 2., and 3.) which is repeated three times in the mino

Gospel acclamation: 11 OT (B) Arrangement of composition by Robert Twynham, 1970 Appears to be vocal lines added to instrumental cantor and organ No arranger noted, but presumed Proulx

Gospel acclamation: 31st Sunday of the year (A) Dedication: Composed for the Cathedral Boychoir and Handbell Ringers of Holy Name Cathedral, Chicago Cantor, congregation, treble voices, organ.

This is an edited version of the Gradual for Easter Day written for two choirs (SSAA and SATB) originally written by Jan Vodnansky (1572-1622), rector of St. Charles Borromeo in Prague.

Gospel acclamation Lent III (A) manuscript sketch for vocalist and organ No composer noted but presumed Proulx