Proulx, Richard (Richard T.) (1937-04-03-2010-02-18)

Gospel acclamation: 11 OT (B) Arrangement of composition by Robert Twynham, 1970 Appears to be vocal lines added to instrumental cantor and organ No arranger noted, but presumed Proulx

Gospel acclamation: 31st Sunday of the year (A) Dedication: Composed for the Cathedral Boychoir and Handbell Ringers of Holy Name Cathedral, Chicago Cantor, congregation, treble voices, organ.

This is an edited version of the Gradual for Easter Day written for two choirs (SSAA and SATB) originally written by Jan Vodnansky (1572-1622), rector of St. Charles Borromeo in Prague.

Gospel acclamation Lent III (A) manuscript sketch for vocalist and organ No composer noted but presumed Proulx

Gospel verse : Lent IV (A) / Richard Proulx This hand-written gospel verse for lent includes parts for cantor, congregation, and organ. An alternate version for acapella voice is also on file.

I received the living God / Don Cl,ment Jacob, OSB ; Richard Proulx. This work is a series of four verses to be sung by choir accompanied with an organ setting. The setting is anonymous, but Proulx is the assumed creator. Proulx gives the direction.

May the Angels Take You Into Paradise.

Kyrie eleison (six fold) / Richard Proulx. OVERSIZE. This work is written for flute (8'), congregation, and solo soprano. The soprano sings a descant following the first iteration of "Lord have mercy, Lord have mercy, Christ have mercy, Christ have mercy.

Litaniae laurentanae / Marius Monnikendam OVERSIZE This hand-written manuscript cannot be clearly placed in terms of authorship or origin. The work is written in a black marker/pen, and the hand does not appear to match that of Proulx. "Marius Monnikendam

Litany of the saints / Richard Proulx This original Proulx manuscript is an arrangement on the Litany of the Saints. Proulx added bells to the work. This work was found originally in Black box 3 of the Proulx reference collection.

Lord has done great things for us / This piece features unison voices over an organ accompaniment. The work also features a soprano descant in the second section of two. The text draws upon Psalm 126 as a source. The work is marked "copyright 1974 G.I.A.