Proulx, Richard (Richard T.) (1937-04-03-2010-02-18)
Dates
- Existence: 1937-04-03 - 2010-02-18
Gender
- Males
Occupations
Places
- Saint Paul (Minn.) (Place of Birth)
- Chicago (Ill.) (Place of Death)
- United States (Associated Country)
- Chicago (Ill.) (Other)
Found in 18 Collections and/or Records:
Introit, offertory verse, psalm, communion verse for Advent I
Introit, offertory vs, communion vs for Advent I
Introit, psalm, communion verse for Thanksgiving Day (St. John of the Cross)
Proper for Thanksgiving Day (St. John of the Cross) Introit, Psalm, Communion verse No composer noted, but presumed Proulx
Kyrie
Proulx edited Jean de Bournonville's Kyrie by adding the chant "Kyrie eleison"(s) and "Christe eleison" from the Gregorian chant Mass XVI before the appropriate sections. Each section begins with a cantor intoning the chant and the congregation repeating
Memorial acclamation/amen, 1983
Memorial acclamation/amen / Richard Proulx. OVERSIZE. This memorial acclamation was originally based on "Christus Vinicit" (ca. 800) and was arranged for mixed instrumental ensemble with voice in 1983. Instrumental parts are included on file.
Responsorial mass, 1996
Revised from 1987 version. Holy, holy [sanctus], memorial acclamations, lamb of God. Organ or piano accompaniment.
Sursum corda : for "land of rest" acclamations, 2003
Sursum corda : for "land of rest" acclamations / Richard Proulx. This work is composed of four plainsong melodies for the sursum corda of a mass. The work is written in a call-response fashion with the congregation and the presider. Proulx takes authorshi
Trisagia (sanctus) ; lamb of God ; portions of kyrie
Trisagia (sanctus) ; lamb of God ; portions of kyrie / Richard Proulx OVERSIZE
There is no clear indication which Mass these mansucripts are written for. The only portion that seems complete is the Sanctus section. There are sketches of it included here as well. In addition, there is a mostly completed Lamb of God section, and a sketch of a Kyrie.
When we eat
When we eat / Richard Proulx. OVERSIZE. This work was written in "9.8.7," which could be interpreted either as Sept. 9, '87, '97, or '07. Document appears too new to be written much earlier than this. The work is written in four-part harmony, most likely