Proulx, Richard (Richard T.) (1937-04-03-2010-02-18)
Dates
- Existence: 1937-04-03 - 2010-02-18
Gender
- Males
Occupations
Places
- Saint Paul (Minn.) (Place of Birth)
- Chicago (Ill.) (Place of Death)
- United States (Associated Country)
- Chicago (Ill.) (Other)
Found in 37 Collections and/or Records:
Alleluia verse: Christmas Eve, 1998
Alleluia verse: Christmas Eve Appears to be a fax transmission copy, dated Dec. 18, 1998. vocal line only
Ave Maria : Chant: Mode I
Ave Maria : Chant : Mode I / Tomas Luis da Victoria ; Richard Proulx. This engraved score is attributed to Tomas Luis da Victoria. The dynamic and part assignments written into the work in black pen, however, could very well belong to Proulx. The author o
Benedicamus domino : the rule of the heart, 1998
Benedicamus domino : the rule of the heart / Richard Proulx. Publisher's no.:G-8041 OVERSIZE. This work was written in 1998 for mixed voices, flute, strings, and organ. This Proulx original was performed in a Proulx- directed "Sacred Music Symposium" on M
Canticle II
"Canticle II" appears to be page 2 of a larger piece of music written by Proulx. It is a vocal solo (treble clef).
Cantique de Noel
Come to us, creative spirit, 1986
Come to Us, Creative Spirit. Tune: CASTLEWOOD; Richard Proulx, 1986. 1 manuscript of a 1986 published work of Proulx's, to which a Soprano Descant has been added by Proulx's hand. No indication is given as to when these edits were made. A work sharing this title appears in GIA's 1991 publication "Hymnal Supplement 1991," Concacan Inc.'s.
Festival mass, 1965
Festival mass / Richard Proulx. This is a large full mass work by Proulx breaks into four movements: I. Litany II. Hymnus Angelorum III. Trisagia (Sanctus) IV. Litany II (Agnus Dei) The work is written in English. One score, a photocopy of the original wi
Funeral alleluia
Funeral alleluia /Richard Proulx. Here we have a melody by Proulx. The top right-hand corner of the page reads "Mode VI, Verse Richard Proulx." The melody has some corrections made in red ink on the page, fixing a rhythmic mistake.
Gloria in medieval style, 1965
Proulx took Robert Revicki's piece entitled, "Alleluia" from "Songs of Praise," [(Boosey and Hawkes - 5597) written for unison chorus or equal voices, with tenor or soprano solo and tambourine accompaniment], changed the words to the text of the Gloria, added a second vocal part in the last nine measures, and added handbell and triangle accompaniment. It is unclear if this was ever published.
Good Friday : unveiling of the cross, 1989
Good Friday : unveiling of the cross / Richard Proulx. This piece emulates a blues style, playing off Proulx's interest in jazz and the music of Chicago. The piece begins with three figures (marked 7., 2., and 3.) which is repeated three times in the mino