Proulx, Richard (Richard T.) (1937-04-03-2010-02-18)
Dates
- Existence: 1937-04-03 - 2010-02-18
Gender
- Males
Occupations
Places
- Saint Paul (Minn.) (Place of Birth)
- Chicago (Ill.) (Place of Death)
- United States (Associated Country)
- Chicago (Ill.) (Other)
Found in 24 Collections and/or Records:
Ave Maria : Chant: Mode I
Ave Maria : Chant : Mode I / Tomas Luis da Victoria ; Richard Proulx. This engraved score is attributed to Tomas Luis da Victoria. The dynamic and part assignments written into the work in black pen, however, could very well belong to Proulx. The author o
Benedicamus domino : the rule of the heart, 1998
Benedicamus domino : the rule of the heart / Richard Proulx. Publisher's no.:G-8041 OVERSIZE. This work was written in 1998 for mixed voices, flute, strings, and organ. This Proulx original was performed in a Proulx- directed "Sacred Music Symposium" on M
Come to us, creative spirit, 1986
Come to Us, Creative Spirit. Tune: CASTLEWOOD; Richard Proulx, 1986. 1 manuscript of a 1986 published work of Proulx's, to which a Soprano Descant has been added by Proulx's hand. No indication is given as to when these edits were made. A work sharing this title appears in GIA's 1991 publication "Hymnal Supplement 1991," Concacan Inc.'s.
Festival mass, 1965
Festival mass / Richard Proulx. This is a large full mass work by Proulx breaks into four movements: I. Litany II. Hymnus Angelorum III. Trisagia (Sanctus) IV. Litany II (Agnus Dei) The work is written in English. One score, a photocopy of the original wi
Gloria in medieval style, 1965
Proulx took Robert Revicki's piece entitled, "Alleluia" from "Songs of Praise," [(Boosey and Hawkes - 5597) written for unison chorus or equal voices, with tenor or soprano solo and tambourine accompaniment], changed the words to the text of the Gloria, added a second vocal part in the last nine measures, and added handbell and triangle accompaniment. It is unclear if this was ever published.
Good Friday : unveiling of the cross, 1989
Good Friday : unveiling of the cross / Richard Proulx. This piece emulates a blues style, playing off Proulx's interest in jazz and the music of Chicago. The piece begins with three figures (marked 7., 2., and 3.) which is repeated three times in the mino
Gospel acclamation: 31st Sunday of the year (A), 1984
Gospel acclamation: 31st Sunday of the year (A) Dedication: Composed for the Cathedral Boychoir and Handbell Ringers of Holy Name Cathedral, Chicago Cantor, congregation, treble voices, organ.
This is an edited version of the Gradual for Easter Day written for two choirs (SSAA and SATB) originally written by Jan Vodnansky (1572-1622), rector of St. Charles Borromeo in Prague.
Gospel verse : Lent IV (A), 1993
Gospel verse : Lent IV (A) / Richard Proulx This hand-written gospel verse for lent includes parts for cantor, congregation, and organ. An alternate version for acapella voice is also on file.
I received the living God
I received the living God / Don Cl,ment Jacob, OSB ; Richard Proulx. This work is a series of four verses to be sung by choir accompanied with an organ setting. The setting is anonymous, but Proulx is the assumed creator. Proulx gives the direction.
Kyrie eleison (six fold)
Kyrie eleison (six fold) / Richard Proulx. OVERSIZE. This work is written for flute (8'), congregation, and solo soprano. The soprano sings a descant following the first iteration of "Lord have mercy, Lord have mercy, Christ have mercy, Christ have mercy.